Social Media Food Influencers and Their Impact on Consumer Behaviour, Culinary Trends, and Food Tourism: A Narrative Review
DOI:
https://doi.org/10.69968/ijisem.2026v5i4244-249Keywords:
Social Media, Food Influencers, Consumer Behaviour, Culinary Trends, Food Tourism, Digital MediaAbstract
In the current society, the food image, consumption and experience has changed significantly due to the growing use of social media. Social media platforms like Instagram, YouTube, Facebook and TikTok have helped to build a new food culture, in which food influencers have a significant influence on their followers' food ideas, preferences, and their decisions for tourism. This narrative review covers the emerging role of social media food influencers in shaping consumers' behaviour in both a digital context and in new trends and food tourism practices. A literature review of previous research on Influencer marketing, Digital food culture, Audience engagement, Visual storytelling and Tourism promotion through social media. The review reveals the influence of food influencers on consumer buying behaviour, eating habits, restaurant selections, and the consumption of food items by creating visually appealing and authentic content and establishing parasocial relationships. It also discusses the impact of social media on making culinary new trends, regional cuisines, and food places popular. The paper also addresses commercialisation, authenticity, digital algorithms and ethical concerns with influencer culture. The study is found that social media food influencers are gradually becoming significant cultural intermediaries, which play a significant role in the construction of consumer culture, electronic culinary culture and tourism experience in today's society.
References
[1] Abell, A., & Biswas, D. (2022). Digital food culture and con-sumer behaviour in social media environments. Journal of Consumer Studies, 18(2), 115–130.
[2] Contois, E., & Keish, K. (2022). Food Instagram and digital culinary culture. Media and Communication Review, 11(3), 201–219.
[3] Counihan, C., & Van Esterik, P. (2013). Food and culture: A reader. Routledge.
[4] Pfender, E. J., Wanzer, C. V., Kuijpers, K. L., & Bleakley, A. (2023). Your media diet is impacting your actual diet: The effects of influencer “What I Eat in a Day” YouTube videos on influencer perceptions and nutrition behaviors.
[5] Bhagat, S., Khanna, S., Sharma, P., & Bhat, D. A. R. (2023). Street food in the digital era: Unravelling the influence of food vloggers’ credibility and information quality on con-sumer intentions.
[6] Chaudhuri, S., & Sarkar, M. (2023). Mapping the popular Indian food channels on YouTube: A sociological analysis.
[7] Raj, R. (2025). Matcha: How the beverage took over 2025. The Times of India.
[8] Kaplan, A. M., & Haenlein, M. (2010). Users of the world, unite! The challenges and opportunities of social media. Business Horizons, 53(1), 59–68.
[9] Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.
[10] Khamis, S., Ang, L., & Welling, R. (2017). Self-branding, micro-celebrity, and the rise of social media influencers. Ce-lebrity Studies, 8(2), 191–208.
[11] Marwick, A. (2015). Instafame: Luxury selfies in the atten-tion economy. Public Culture, 27(1), 137–160.
[12] Abidin, C. (2016). Visibility labour: Engaging with influenc-ers’ fashion brands and #OOTD advertorial campaigns on Instagram. Media International Australia, 161(1), 86–100.
[13] Boyd, D. (2014). It’s complicated: The social lives of net-worked teens. Yale University Press.
[14] Smith, A. N., Fischer, E., & Yongjian, C. (2012). How does brand-related user-generated content differ across YouTube, Facebook, and Twitter? Journal of Interactive Marketing, 26(2), 102–113.
[15] Hjalager, A. M., & Richards, G. (2002). Tourism and gas-tronomy. Routledge.
[16] Richards, G. (2015). Evolving gastronomic experiences: From food to foodies to foodscapes. Journal of Gastronomy and Tourism, 1(1), 5–17.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Arnab Hota, Paarth Sharma

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Re-users must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. This license allows for redistribution, commercial and non-commercial, as long as the original work is properly credited.





